'Wanderings' paintings by Kristen Lethem, Kirsten Hillard & Verity Roberts, 1st to 12th June

Kristen Lethem- Blue
acrylic, biro and ink on board (35 x 30 cm)

Kristen Lethem - Perisher III
acrylic, ink and pencil on board (71 x 66 cm)

Verity Roberts - Venizia IV
mixed media on canvas


Verity Roberts - Summer Skies over Venice
mixed media on canvas


Kirsten Hilliard - Ratdog Hill
oil, acrylic and ink (50 x 70 cm)

Kirsten Hilliard - Outlook 1
oil, acrylic and ink (40 x 40 cm)


Wanderings 1st-12th june 2010
Kristen Lethem worked as an illustrator in London for 14 years before returning to Sydney where she now lives and paints in Balmain. Kristen’s paintings are primarily inspired by the the landscapes in and around her family home in the Hunter Valley. ‘After so many years in the UK, I was struck by the harshness of light resulting in almost bleached flat colour, with very dark areas of contrast. Solitary gums casting strange shapes on bleached hillsides.’ Kristen was awarded the UNSW COFA prize at the 2009 Paddington Art Prize

Verity Roberts’ paintings reflect her passion for life. With a background in art direction and set decoration, she is an expert of beautiful detail. Observations of daily life and the interiors where much of it takes place are an intrinsic part of her painting. Each piece reflecting an intimate moment in time: a scent, a meal, a place, a memory. Many of Verity’s more recent works have focused on her passion of travel. For an exhibition at Breathing Colours last year, she created a series of ‘postcards’ from around the world. The pieces she has created for ‘Wanderings’ are a continuation of that body of work but this time she has cast a smaller net and is focusing simply on her love of Venice.
Kirsten Hilliard is a Glebe based artist with a background in Art Direction and Graphic Design. Her paintings are based upon the ordinary aspects of life, and often engage the viewer to feel a sense of nostalgia. Kirsten’s palette ranges from very minimal and whimsical to bold and moody, depending on the narrative of the painting. She draws or uses scraffito technique to create her images, often using many layers of paint over a textured base. This is what gives the paintings their translucent feel.